BLIND JUSTICE: pages 26-50
Original screenplay by Terrence J. Brady
WGAe # 127672-00
All characters © Marvel Entertainment Group


EXT. DOWNTOWN - NIGHT

Christmas SHOPPERS are out in force.  
Gray streets candycoated with seasonal flora.

Packages.  Boxes.  Everyone has their hands full.  
Oblivious to their surroundings.

PUNK on motorcycle.  Snags a shopper's bag.

MOVING

Motorcycle zig-zags through the crowd.  
Mad scramble to get out of biker's path.

Biker looks back--a little "fuck you grin."  

Then -- a cable wire comes out of nowhere.

Like a lasso--wraps around biker's throat.

Bike continues forward--he doesn't.  
Lands on his back--hard.  
Stunned--slow to sit up. 
Feels a presence looming over him.  Glances up.  
Grows terrified.

Pair of RED EYES stare back at him.  

		
EXT. CITY ROOFTOPS - NIGHT

Even high above the city, the snowfall appears gray.

		    BIKER(V.O.)
	  --d..dd...devil?!?

Black SILHOUETTE moves gracefully from roof to roof.
Movements are fluid--a skilled acrobat.


EXT. NINTH FLOOR OFFICE - LATER

Peering in through the window shows --
DEPUTY MAYOR on phone.

D.M. turns; spies movement outside the window. 
Investigates.

At window.  D.M. looks out--nothing but city.


ABOVE ON ROOFTOP

Shadowed EAVESDROPPER observes D.M. at window.  

SOUND of footsteps, in the snow, coming from behind.
The figure whips around.

Pair of RED EYES stare back at the "peeping-tom." 

Figure leaps forward--tucks and rolls--firing off 
set of SHURIKEN at the eyes.

Counter-response is a baton; catches fast the stars.  
Leans into the light.  A "face" to go with the eyes.

Crimson horned facemask attached to a --
bodysuit of compact muscles. 

His name...is DAREDEVIL (now known as DD).

		    DD
          That wasn't very nice now--was it?

DD springs after the shady figure.  
Response--a boot kick to his jaw.

                    DD 
          OOOfff...

DD falls back. 
Figure flees for the rooftop edge. 
DD races after his foe.

They bound from one rooftop to the next.  
DD fires off his baton. 

Flies like a smart-bomb.  

Bounces off the rooftop--
then a chimney--
air vent--
hones in on the fleeing.  BAM!

Figure drops to the ground.  

Like a boomerang--baton bounces back to DD's hand.

Figure shakes off the blow.

                    DD 
	  Playtime's over. You're coming
          with me.

Figure's response:  Not in words but --
pair of highly sharpened pitchfork weapons; sai.

DD ducks as left cross comes across his path.  
Counter punch. His fist meets nothing but steel.

Blunt end of sai collides with DD's jaw--
stomach--
knee--
spine--  

Fury of strikes dazes DD. 
DD reacts with sweeping kick.  Figure loses one sai. 
DD scoops it up.

Sais clash together; lock.  Figure headbutts DD.  

Blow knocks him back.  Figure fires off sai.

Just misses DD; grazes his face. 

		    FIGURE
	  Blood?  Human, after all.

Figure rushes DD while he's still dazed.  DD ducks.  
Figure slips on ice--crashes into a brick chimney.

DD grabs hold of downed figure--now bleeding as well.

		    DD
	  As are you. 
 
Pushes foe into streetlight.  Face revealed.  
Supple. Smooth. Deep mesmerizing eyes. Beautiful.

A WOMAN.

		    WOMAN
	  You have no idea of the consequences 
	  for such action.

		    DD
	  Save it for the judge, lady. I 
	  don't get personally involved.

		    WOMAN
	  You are but another helpless 
	  victim in the king's plot.

		    DD
	  Plot?  You--you--hold on.  That--
	  that voice.  

Runs his fingertips over the woman's face. 

She is young (30) yet beneath her outer beauty lies 
something very dark.

		    DD
	  --no, No. It, it can't be....? 

Woman shows first sign of emotion.

		    WOMAN
	  Wh--What?

		    DD
	  E-Elektra?

Stupefied--unsure of himself.  
Runs his hands over her face again.  Pulls back.

		    DD
	  ...Not possible.  Elektra...she--
	  you--you're dead.

		    WOMAN
	  Who are you?

DD pauses. Relaxes grip.
She grabs his facemask--yanks it off.

His face continues to bleed but now --
it's that of Matthew Murdock--blind attorney.

		    WOMAN
	  M-Matt?

Woman's (now known as Elektra) touch goes soft.

		    ELEKTRA
	  Matt...?

Then--just as quickly--jerks violently.

		    ELEKTRA
	  NNNnnnnoooo!

Knocks DD backwards.
Force of blow pushes him over the roof's edge.

Falling...
Falling...

Contact -- street -- seconds -- away.

DD fires off a cable from his baton.
Catches flagpole.
Descent comes to abrupt--painful--stop.  
Almost rips his arm out.

		    DD
	  ARRGGGHHH!!

Dangling from the pole.  Looks back up.
Can only watch Elektra run off--fading into blackness

		
EXT. WATERFRONT/FIREWORKS WAREHOUSE - NIGHT

Several MEN move crates from dock to ARMORED VAN.
Heavily armed. Definitely not a shopping spree.


EXT. COURTHOUSE - NEXT DAY

Native American PROTESTERS occupy courthouse steps.

		    PROTESTERS 
	  24-24-24!

Pedestrians enter and exit the courthouse. 
Some sneer. Others laugh. Most ignore.

		    PROTESTERS 
	  24-24-24!

CAMERA CREW interview protest leader --
RAINBOW DAWN (face shows age, his heart denies it).

		    RAINBOW DAWN
	  ...continue our protest until we're heard. 
 	  They say this is the land of freedom? 
	  Of liberty?  I see nothing of the kind.

		    REPORTER
	  Mr. Dawn, you must realize
	  your accusations are quite
	  farfetched in the sense...

		    RAINBOW DAWN
	  --accusations not.  Manhatta was 
	  once a beautiful land--fertile land.  
	  Full of game--streams--crop.  The 
	  white man has decimated this land.
	  My people--we are victims of the 
	  greatest land swindle of all time.  

Shouting into the sky.

		    RAINBOW DAWN
	  The day will come when my people will 	
          retake this land--retake Manhatta.

 Reporter turns to camera.

		    REPORTER
	  And there you have it. Reporting 
	  from the steps of City Hall...


INT. HIGH-RISE APT. - EARLY EVENING

TV News report concludes.

		    REPORTER
	   ...this is Rick Johnson for--

TV clicks off.

WIDEN

HEATHER GLENN (32, Manhattan socialite living on 
daddy's allowance) puts remote down.  

Gulping down her martini, she moves to balcony --
agitated.


EXT. BALCONY

Storm brews over the city. 
No rain but much wind, thunder, lightning.

HEATHER pours herself a new drink.

		    HEATHER
	  You going to stay out there forever?

Stone gargoyle protrudes out from the building.
MATT perches on sculpture in a daze--ten stories up.

		    HEATHER
	  Can you at least come off of that 
	  thing? You're making me very nervous.

Partially dressed in DD garb.
Stares into the blackness of the city.

		    MATT
	  Just want to be alone right now
	  Heather.

		    HEATHER
	  How long do you expect me to continue
	  with these mood swings of yours Matt?
	  Why don't you ever talk to me?

		    MATT
	  What good is talk.

		    HEATHER
	  It is what you do for a living.

		    MATT
	      (whispering)
	  What good is talk?

Moves to the balcony edge.  Looks down.  
Lightning flare illuminates the streets below.

		    HEATHER
	  Gonna jump? End it all?

		    MATT
	  Wouldn't solve anything.

		    HEATHER
	  Now we agree on something.

Long silence.

		    MATT
	  I ran into an old friend last night.

Drinking.

		    HEATHER
	  Friend?  A psychiatrist?

		    MATT
	  Back from the grave.

		    HEATHER
	  Oh hell--screw the psychiatrist.
	  Let's just call Bellevue.  Boys
	  better grab the net!

	   	    MATT
	  I still don't understand.  What
	  she was doing. Why she--

Got her attention.

		    HEATHER
	  Uh, hello...She??

Turns.  Black eyes stare through Heather.

		    MATT
	  ...Elektra.

Throws her hands up.

		    HEATHER
	  Oh-for-the-love-of... Matthew--
	  wh-what am I--how do you want me
	  to respond to that?

No answer.

		    HEATHER
	  This Elektra--the one who disappeared
	  from your life--what seven years ago?
	  Just pops into your life and I'm not
	  supposed to be the least bit concerned?

		    MATT
	  She tried to kill me.

		    HEATHER
	  This gets better by the moment.  Dead
	  woman from past comes back to kill
	  superhero--film at 11.

		    MATT
	  It's no joke Heather.  It was her.
	  I know it.  Would never forget 
	  that voice.  Those lips.

		    HEATHER
	  Uh, lips--excuse me?

		    MATT
	  It was her. It was Elektra.  I
	  may be blind--but I can see.

		    HEATHER
	  Right--I may be drunk--but I can
	  operate heavy machinery.

		    MATT
	  You'll never understand.

		    HEATHER
	  Got that right. Nor will I ever 
	  understand this urge in risking your 
	  life as --

KRACK--DOOOOMMMM!

Thunder strike blocks out her words.
Matt dons his mask; now is DD.

		    DD
	  I have to find her.

		    HEATHER
	  Matt.  You leave now, I swear I'll--

KRACK--DOOOMMMM!

Another strike--words lost.

		    HEATHER
	  Do you hear me?  Matt!

Matt freefalls off the gargoyle.
For any other man it would be suicide.

Heather drops her drink--races to the edge. 

DD hits a flagpole four flights down. 
Springs off it like a diver on a highboard.  
Series of somersaults. 

Bounces off streetside canopy--heads into the night.

He's gone.  Tear wells in her eye.

		    HEATHER
	  matthew....


EXT. RESTAURANT - NIGHT

GOODFELLAS in expensive suit wait with their cars.

DOWN THE ROAD 
An occupied ARMORED VAN sits in vigil.


INT. RESTAURANT 

Sparsely crowded. Table in rear filled to capacity. 

FISK, new bride VANESSA, and several ASSOCIATES.

		    ASSOCIATE #1
	  ...all goes well, as you have 
	  foreseen--except for one.
	      (beat)
	  Deputy mayor Woolbrite.

		    FISK
	  Seeking his fifteen minutes of fame.  

Vanessa pours some wine into Fisk's glass.

		    FISK
	  Thank you my pet.

		    ASSOCIATE #2
	  He continues to undermine your
	  efforts, Mr. Fisk. How would
	  wish to rectify the situation?

		    FISK
	  We do nothing, Mr. Santiago.

		    ASSOCIATE #3
	  But now he has an ally, a member
	  of the press.

Holds up newspaper article:  MTA WORKERS FOUND DEAD.  

		    ASSOCIATE #1
	  And the pen is mightier than the sword. 

		    SANTIAGO
	  We should not waste time.  See to
	  it that whoever opposes the Kingpin
	  to meet the same fate as his predecessor.

The word "kingpin" is not to Fisk's pleasure.
Others stir in their seats.  Fisk rises.

Positions himself behind Mr. Santiago.

		    FISK 
	  That is not how we do business. 
	  Not how we do business at all. 

Nervous. Can't see Fisk who breathes down hard.

		    SANTIAGO	
	  It--it is just that there are waves
	  growing in the streets.  They say
	  inaction is a form of weakness.
	  They--they say....

		    FISK
	  I have made my intentions clear.
	
		    SANTIAGO
	  Old enemies die hard...Kingpin.

		    FISK
	  Do they now?

Massive hand clamps down on Santiago's head.  

		    FISK
	  Weak, I am not.

Vice grip hold--squeezing tighter. 

		    FISK
	  Kingpin, I am not.

Santiago's eyes bulge. 
His fingers grasp edge of table.
Knuckles turn white.

		    FISK
	  Forgiving, I am not.

Fisk shows no remorse.
He could be squeezing an orange; not a skull.

Vanessa becomes scared--nervous.

Fisk sees this. He lets go.

Hands the bleeding Santiago a napkin. 
Whispers in his ear.

		    FISK	 
	  Next time you forget this, I will 
	  not be so gentle.

Motions to Vanessa who quickly joins him.

		    FISK
	  Enjoy the rest of your meal gentlemen.

Pair of BODYGUARDS flank the exiting couple.	
PAIR OF LEGS block the couple's path.

		    VOICE
	  Leaving before dessert?  Hear they
	  make a great soufflé.

Turns to the voice.  BULLSEYE sits in a booth alone.

		    FISK
	  Bullseye.

Bullseye picks his teeth with a toothpick.

		    BULLSEYE
	  Told you I'd be seeing you around.
	     (to Vanessa)
	  And who might this be?  A lovely
	  dish I must say.

		    VANESSA
	  Wilson, who is this man?

		    FISK
	  An old acquaintance.  
 	     (to Bullseye)
	  You'll excuse us now.

Bullseye lowers his legs.

As they exit, Bullseye flings his toothpick.
Sticks fast in the back of last bodyguard's neck.

Bodyguard yanks it out.  Leers at Bullseye.
Bullseye cocks his hand like a gun.  Grins.
 
		    BULLSEYE
	  ...bang.
	

EXT. RESTAURANT 

CHAUFFEUR opens limo door for VANESSA and FISK.
Drive off. Bodyguards--in second car--not far behind.

ARMORED TRUCK waits, then starts its tail.


INSIDE LIMO - MOVING

		    FISK
	  I trust your meal was satisfactory.

He admires her wedding band. Inscription reads:
"To my beloved Vanessa. Love Wilson."

		    VANESSA
	  Fine, thank you, Wilson. 
	       (beat)
	  What did Mr. Santiago mean...
	  same fate as his predecessor?

		    FISK
	  Trivial business my dear. I do not
	  wish to bore you.

		    VANESSA
	  With you, I am never bored.

Warm snuggle between two people in love.

Fisk turns on a small TV. A news report.

		    NEWSANCHOR (O.S.)
	  ...another sighting of the so called
	  Hell's Kitchen vigilante, the Devil,
	  put two more....

Fisk's eyebrow raises; intrigued.

SUDDENLY --

CRASH! Fireball explodes across windshield.


ON STREET

Limo swerves--side swipes taxi.
Taxi--out of control--crashes into storefront.

Tailing ARMORED TRUCK speeds up--opens fire on limo.


INSIDE LIMO

FISK shelters his wife.  Barks into cell phone.

		    FISK
	  What am I paying you people for?


STREET

Bodyguard's MERCEDES speeds up. 
Slams into TRUCK.

Truck opens fire. BRAKA-BRAKA-BRAKA!!
Hail of bullets pelt Mercedes; tires burst.

It's DRIVER loses control.
Swerves into oncoming CITY BUS.  


INSIDE LIMO

FISK spies head-on collision in rear-view mirror.

		    FISK
	      (to chauffeur)
	  Left on 77th!  Two blocks.  Right 
	  onto the West Side Highway.

A hard left.  Truck gains on them.
More GUNFIRE. Luckily limo is bullet-proof.

MOVING

LIMO swerves down narrow alley--tight.  
Metal grinds against brick.

TRUCK can't follow--proceeds to circumvent block.


ONRAMP TO FREEWAY

Damaged LIMO plows into traffic. Heads for onramp.

Just as it reaches the ramp -- out of nowhere --

BAMMM!  TRUCK sends limo into a spiral.


INSIDE LIMO

VANESSA's head smacks up against window.  Out cold.


STREET

LIMO's tires peel out.  TRUCK opens fire on her. 

Several other CARS collide with bullets.  
Windshields explode!

CRASH! Multiple car pileup; twisted metal and glass.

More trouble: Freeway entrance blocked; construction.
Limo heads for near-by docks.


DOCKS ALONG HUDSON 

More GUNFIRE.
TRUCK races against water's edge; closing in.


INSIDE LIMO

FISK tries to comfort unconscious WIFE.  
Facial expression changes. No longer calm--incensed.

Flips open concealed compartment.  Several switches.
Small radar unit springs to life.  


REAR LIMO

Hidden panel opens. 
Rocket launcher rises into position.


INSIDE LIMO

Trailing TRUCK moves in and out of crosshairs until--
radar locks on.  

FISK depresses firing mechanism.


MOVING

Rocket FIRES.  Three...Two...One....  

CONTACT!  TRUCK erupts into flames.
OCCUPANT ejects before truck upends into the river. 
He crawls along the ground; wounded, bleeding until--

Fisk's two massive hands come down on him.  
Lifts him up by his neck. 
Man's feet dangle several inches from the ground. 

		    FISK
	  Who called it in?  

Man grins--he knows he's dead either way.

Fisk repeats the question--no answer.  
Cannot control his anger. Grasp around neck tightens.  
A small...SNAP! 

Fisk drops the dead man at his feet.  

Eyes the city as if "it" was responsible.


INT. DAILY BUGLE OFFICE - MORNING

Newspaper headline reads: Explosion at Waterfront.
In smaller letters: Wilson Fisk missing.

WIDEN

The page turns--someone is "reading" this paper.

Enter BEN juggling various folders.

		    BEN
	  Oh sorry--thought this was--wait a....

Looks at door. Sign does say: Ben Urich.

	            BEN
	  Excuse me? Can I help y--

The paper lowers. Pair of RED EYES stare back at him.

		    BEN
	  --ou....Oh geez--oh geez.

DD motions index finger to his mouth---shhhhh.

Runs hand under desk.  Rips out a hidden mic wire.

		    DD
	  Really should get a better pest 
	  control provider. These bugs can 
	  be dangerous to your health.

Confused.  Frightened.  Slumps into couch.

		    BEN
	  You--you'r...

		    DD
	  ...Daredevil.

		    BEN
	  ...right.

		    DD
	  Need some information.
            (beat)
	  Yours?

DD runs fingertips over photo shoot;
Statue of Liberty murder.

		    BEN
	  Uh, yeah.  Mafia is--a hobby of 
	  mine, you could say.

DD moves to chair opposite couch. 
Small table with chess board sits between them.

		    DD
	  Dangerous hobby.

Moves a chess piece.  Waits for Ben's countermove.  
Ben leans forward and moves his knight.

		    BEN
	  What is I can do for you, Mr. Devil?

		    DD
	  Daredevil is fine.  I need to find 
	  out about this woman who was at 
	  the Liberty Island murder.
	
Moves a piece.  Ben moves his.

	            BEN
	  Woman?  Can't help you there.

DD takes his knight.

		    DD
	  You know nothing about her?

		    BEN
	  Sorry.

		    DD
	  What about the subway attack?

Tries to ignore the question. 

		    BEN 
	  Look--I'd love to help you out...

		    DD
	  Puncture wound. Three across.
	  Center one the deepest. Know what 
	  might cause that? 

Moves his piece--bad move.

		    BEN
	  Nope, never seen nothing like that.

DD senses Ben is lying. 

		    BEN
	  It's very complicated. If you
	  could see the whole picture.

DD pauses. Attacks his king.

		    DD
	  I--see--just fine.  Check.

Ben ponders over the last move.

		    DD
	  You're playing a game with extremely
	  high risks.

		    BEN
	  It's the game I choose to play.  

		    DD
	  And Deputy Mayor Woolbrite?

		    BEN
	  So, you're the one--

		    DD
	  --No. Just a good listener. 
	  And you've obviously attracted 
	  someone else's attention as well.

Tosses the "bug" into the garbage.

		    DD
	  Have to finish this game another time.

DD moves to the window, opens it, and exits.

		    BEN
	  Whoa!  What are you...


EXT. DAILY BUGLE 

Snow driving down hard.
BEN shoves his head out the window.  Looks down.

		    BEN
	  ...crazy??  Well-I'll-be-damned.

DD bounces off a flagpole three stories down.  

BATON releases a cable, catching onto a lightpost.
Swings off into the blizzard.


INT. BEN'S OFFICE - LATER

FINGERS feverishly work a keyboard.

WIDEN

BEN scans news articles on the Internet:
"Subway homicide," "Fisk presumed dead," finally --

Finds what he's looking for. Headline reads:
"Devil that plagues or saves New York?"


CANAL ST. SUBWAY PLATFORM - NIGHT

BEN hops off the platform onto the tracks. 

Flashlight in hand. Heads into the darkened tunnel.


INSIDE TUNNEL

Quarter of a mile in.  Several SHADOWS come to life.

Starts to walk at quickened pace.     

Dark tunnel fills with LIGHT.  
Someone is closing in on him.  Turns to look. 
 
No, not someone--something!  
Oncoming train horn BLAST fills the void.  

Light swells.  Vibrations shake tunnel.

Frantic.  Spies a breach in the wall.  
Tries to squeeze in.  It's too tight. 

Train almost on top of him.

Deep breath.  Ribs contract. 
Forces himself into the opening just as the --

subway cars BLOW by.

MOVING

Train races by where Ben just stood.  
Five--ten--fifteen cars whiz by in only 30 seconds--
For Ben, it's an eternity.

MOMENTS LATER

Ben emerges from the opening--sweaty, filthy. 
Rapid breathing still hasn't slowed.

Pats his pockets.  Finds his smokes; crushed.  
One good in pack. Tries to light it. 
Too nervous to strike the match.  
Finally--match ignites.  Illuminates a --

MOLE PERSON

who stands in front of him.

		    BEN
	  SHIT!!

Drops his smoke.  
Mole person (male-early 50's) stretches out arm.

		    MOLE PERSON
	  Food??

		    BEN
	  Jes...no, no I'm sorry.

		    MOLE PERSON
	  Food. Give me food.

		    BEN
	  I don't have--wait.

Digs into his pocket--pulls out a candy bar.

		  MOLE PERSON
	  FOOD!

		    BEN
	  Yes, food.  Food...for information?

Staring at the candy.

		    MOLE PERSON
	  Food?

		    BEN
	  What do you know about the Kingpin?

		    MOLE PERSON
	  Kin-king?  Know no king.  Give food!

		    BEN
	  No.  Information first.

Reluctant.  But hungry.

		    MOLE PERSON
	  Kingpin?  He...he....
	
		    BEN
	  ...yes?

		    MOLE PERSON
	  He--he killing us.  Killing us all.
	
Snatches candy--runs off into the black.

		    BEN
	  Hey--wait!  ...Damn!


EXT. JOSIE'S BAR - NIGHT

Dead calm.  Moonless night.  Suddenly --

BAR WINDOW explodes as a -- 

MAN flies into the street.

He gets up.  Runs off like he just saw the devil.


INT. JOSIE'S

Several PATRONS scatter--run for cover.

Trio of heavily built THUGS.  Backs to the wall.

		    VOICE
	  Perhaps you gents can help me?

		    THUG #1
	  Look we--we don't want no...

One of the thugs isn't so intimidated.

		    THUG #2
	  --Fuck him Hank.  Don't need to 
	  answer' no pajama wearin' mutha
	  fucker.  You'se can dial fuckin' 411.

		    VOICE
	  4-1-1?

		    THUG #2
	  What you'se deaf and--

No chance to finish sentence.  
Number seven billiard ball flies out of nowhere.  
Cracks Thug #2 in the skull--out cold.

		    THUG #3
	  Sons-of-a....

Pair of RED EYES stare down remaining thugs.

DD holds pool cue--almost looks like he enjoyed that.

		    DD
	  Guess I scratched.

Thug #1 picks up a bottle. Both of them rush DD.

DD spins.  Cue stick takes out bottle.
Proceeds to violate several parts of thug's anatomy:

temple--
groin--
back of knee.  

Thug #1 collapses like a ton of bricks.  

DD picks up on something from behind. 
 
baM--bAM--BAM!  
DD bats away each cue ball as they hurl towards him.

Turns to the "pitcher."

		    DD
	  Ball don't count if they're off the table.

Picks up eight ball. Flips it in the air.
Swings his cue stick like a bat.  

CRACK!  Eight ball makes a beeline right at --

THUD!  Thug keels over. DD is 3 for 3.  

DD looks around.  Place is vacant except for -- 	
a man cowering under a booth. It's GROTTO.

DD leans down. Doesn't need to say a word. 
Those lifeless RED EYES make Grotto sing.

Sing like a canary.

		    GROTTO	
	  No swe--no sweat, devil. I talk.  
	  I talk.  I don't like no violence.  
	  It--it was some crazy broad.  Me 
	  and Turk.  We was--ya know--we just 
	  mindin' our own business.  Outta the 
	  black comes this freaky chick with 
	  long stingin' spikes.  

		    DD
	  Spikes?

Crawls from under the booth.

		    GROTTO
	  Yeah--big--BIG.  Pitchforks. She
	  wanted to hire some men for a 
	  job--big job--real QT like. The man
	  himself she was gunnin' for.

Mention of pitchforks has DD's thoughts elsewhere.

		    DD
	  Pitchforks?  Sais?
	       (to Grotto)
	  Where can I find her?

		    GROTTO
	  S'all I know--devil.  S'all I know.

Appears to be ready to knock Grotto's lights out.

		    GROTTO
	       (cowering on floor)
	  Oh Gawd--not in the face.  Not in 
	  the face.  Pl-please Mr. devil.
		
Second or two later.
  
Grotto peers out of one eye.  Then, opens the other.  
Gazes around.  DD is long gone.    


EXT. WATERFRONT WAREHOUSE - NIGHT

Car pulls up.  Two MEN exit. Head inside.

A blur of an IMAGE swings by from above.


INT. OFFICE WAREHOUSE

Dark.  Dank.   Musty.

Muffled VOICES filtrate through the building.


UPSTAIRS

TURK and GROTTO talk to shadowed FIGURE.

		    GROTTO
	  Ain't never seen nothin' like 
	  it.  Devil on a rampage.

Pair of BEN-WAI balls rotate in shadow's hand.

		    GROTTO
	  Thought I was a goner for sure.
	
		    TURK
	  If I was there, I would have taken 
	  him out.  Taken him out for good.

 Grotto is a nervous wreck.  

		    GROTTO
	  I--I did what you told me to say.
	  Told him just like you told me.

Lighting up a smoke--cocky.

		    TURK
	  I would have lit him up for sure.

		    GROTTO
	  He wanted to know where to find
	  the sai lady. But I ain't stupid.
	  No--I did just as you told me to.

		    TURK
	  Bunch of panzies--scared of their 
	  own freaking shadow.

		    GROTTO
	  Those eyes.  Like--like from that
	  movie "Jaws," ya know.  Lifeless eyes.	
	  Like a doll's eyes.  Until he bites
	  ya, then...

		    TURK
	  --Will ya shaddup already. You're
	  chewing my ear off here.

Ben-wai balls stop rotating.  Slam down.
That got their attention.

It's time to go--they get the idea.

Exiting.

		    TURK
      	       (to Grotto)
	  I don't go into these games. Me?
	  I would have just taken him out--
	  clean, no problems. Why we got
	  to fuck around with these head 
	  games is beyond me.

Grotto still jammering.

		    GROTTO
	  When it comes at you, it doesn't seem 
	  to be livin'...until he bites ya.
	  Then those black eyes roll over white.


ROOFTOP SKYLIGHT

Pair of EYES --
watch through the broken glass from outside.

		    GROTTO (o.s.)
	  ...then the ocean turns red--blood
	  red and...

		  TURK (o.s.)
	  --Shaddup already.

CONTINUE


pp1-25 | pp26-50 | pp51-75 | pp76-100 | pp101-119


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