EXCERPT from pages 77-83


EXT. TONY'S MARKET - DAY 

Parked car.  

         	    GRELL (o.s.)
          So now what?

            	    HARPER (o.s.)
          Relax.  We sit here.  Wait for
	  him to come back out.

BRUNO's hertz sits parked outside the market.


INT. CAR

GRELL eyeballs HARPER.
                 
		    GRELL
          Relax.  Relax.  You know, I've had it 
	  up to about here with all this covert 
	  P.I. bullshit.  It might have worked 
	  for Magnum--it's not getting us dick.

                    HARPER
          I think you're wrong.  It's amazing 
          what you can find out about a person 
	  just by observing. Sometimes you find 
	  out things you would have never known.

              	    GRELL
          Right.  I bet if we had questioned 
	  him--like I wanted to--we would have 
	  never known he enjoys a good mango.  
	  Heck, maybe if we had questioned
	  him--like I wanted to--we would know 
          whether he prefers  mangoes to coconuts
          --cause I'm just dying here wondering.

               	    HARPER
          If we had questioned him, we would 
	  have never known about the argument
	  he had on the phone.  That might prove
	  to be something right there.

              	    GRELL
          Come on!  He could have been fighting 
 	  with his girlfriend for all we know.

                    HARPER
          Maybe.

                    GRELL
          Maybe, my ass.

Grell jumps out of the car.

                    HARPER
          Where you going?

Crossing the street.

                    GRELL
          Buy some fruit.

              	    HARPER
          But...you don't even like fruit.

Entering the market.

               	    GRELL
          Relax Harp.  I'll just observe.

Excruciating sixty seconds. Then --

BRUNO appears; fleeing.  COLLIDES with a shopper.
Jumps into his hertz. Speeds off.

Grell exits; shield and piece.  
Hurdles over spilt veggies and downed shopper.

Harper, still in disbelief, pulls up in car.

                    HARPER
          Just going to observe, huh?

Grumbling.  Grell gets in.  Hot pursuit.


EXT. CITY STREET - DAY

Hertz swerves in and out of traffic.  DETECTIVES pursue.

Four-way stop.  
BRUNO slams on the brakes ... domino effect accident.

Harper jumps the curb. Circumvents the accident.

PEDESTRIANS scatter.

                   HARPER
          Hang on lieutenant!

                   GRELL
          Harp, you fucking idiot!

Detective's car tears up the sidewalk.

Bruno's car turns down a side road; an alleyway.  
Trash cans collide with hertz.

Detectives pursue.  An awakened BUM grows irate.  

Hertz enters an automated car wash parking lot.
                 
	           GRELL
          We got him--we got him now.

Detective's car pulls into the lot.

Big grin.  Grell steps from the car.
             
	           HARPER
     	 You know all this could have been 
	 avoided.

              	   GRELL
         Shut up, Harp.  We got him--plain and 
	 simple.  That's the way I like things 
	 --plain and simple.

              	   HARPER
         I don't know lieutenant.  Something 
	 is off.  Why would someone drive 
	 into a car wash when they know there's 
	 no way of escaping?

		   GRELL
	 You're assuming too much of the 
	 criminal mind.

		   HARPER
	 Just seems too easy, if you ask me.

                   GRELL
         Yeah well, I'm not asking you.  Now 
	 shut up--here he comes.

From within the chamber of high pressured spray guns 
and mechanical buffers, a steaming hertz appears.

              	   HARPER
         You don't suppose he got out of his 
	 car in there, do you?

                   GRELL
         You kidding?  A guy can get maimed-- 
	 even killed in one of these things.
	 He's not going anywhere.

The final heat cycle complete.

Guns drawn.  They approach the hertz.

Windows steamed; the interior concealed.  
Grell throws open the driver's side door.

Bruno is not inside.

          	   GRELL
         Son-of-a-bitch!

                   HARPER
         I thought you said--   

             	   GRELL
         --Bite me, Harp!  That little prick.  
	 Where the hell could he have gone?

A WOMAN's scream; eyes turn.

They rush over to the adjoining gas station.  

Bruno, soaked head to toe, attempts a carjack.

                   GRELL
               (to Bruno)
          Freeze asshole!

Bruno abandons the car and flees on foot.  

Footrace. Bruno dodges into an old fashioned cinema-plex.  
Grell. Harper. Winded.  They enter the theater.


INT. THEATER - DAY

200 plus seats.  Filled to capacity with film buffs.

GRELL and HARPER enter; scan the theater.  

On SCREEN: 
Climatic graveyard sequence of "The Good, the Bad, the Ugly."

                   HARPER
          How are we supposed to find him 
          in here?

              	   GRELL
          Just look for the wet seat.

In and out of each aisle.

Peering down every lane.  

All eyes ignore the detectives; glued to the screen.

TUCO. ANGEL EYES. EASTWOOD.  
They spread out into the center of the graveyard.  

Morricone's score builds in intensity.  
Detectives' anticipation grows.  
Grell steps in a gummy mess.  

		    GRELL
	       (to himself)
	  ...sonofabitch...

Far end of the theater --
dripping wet BRUNO slouches down into his seat.

The pace of the G.B.U. editing quickens.

Eastwood eyes his two adversaries.  
Harper weaves through the hypnotized crowd. 

Angel Eyes' fingers move along his gun belt.  
Grell stumbles in the darkness.  

Tuco's face drips with perspiration.  
Bruno's breathing speeds up.

The score's momentum escalates.  
Crowd hangs to the edge of their seats.

Climax.  The score runs wild.  

Angel Eyes grabs for his gun.  

Grell moves in.  

Bruno cringes.  

Eastwood fires.  

             	    BRUNO
          Nnnoooooo!

Startled crowd turns.  
Watches Bruno's frantic flight from the theater.

               	    GRELL
          Harp!  Harp!  Over there!

Hot pursuit.  Moviegoers are left behind.

On SCREEN 
Eastwood fires his pistol once more, driving --
Angel Eyes' body into an open grave.


EXT. THEATER - DAY

GRELL and HARP race outside.  Look up and down the street.

                    HARPER
          There he goes.

               	    GRELL
          Shit.  He's heading for the El.


INT. SUBWAY STATION - DAY

BRUNO barrels down the stairwell; jumps the turnstile.

Two commuters can't slow him.  
TOKEN TAKER yells to a CTA OFFICER. 

                   TOKEN TAKER
          Hey!  Come back here.
               (to CTA cop)
          That guy just jumped the turnstile!

CTA cop joins the chase.  

GRELL and HARPER enter; jump the turnstile as well.

                  TOKEN TAKER
          Hey!  Come back here.  This ain't 
	  fuckin' Nu Yawk, ya know.

Subway attendant goes back to reading his newspaper.

		  TOKEN TAKER
          ...screwy tourists.

Bruno dodges through swarm of commuters into a southbound train.  

Train occupants stare.  Clothes drenched from the car wash.

Train begins to pull out of station... STOPS.

Bruno looks out the window. 
Grell, Harper, CTA cop charge towards the train.  

Bruno yanks the emergency cord; pries open the door.  
Exiting--he bolts for the tunnel.  

Exhausted.  Grell and Harper reach the end of the platform.  
They peer into the murky man made cavern.

                    HARPER
          Think he went into the tunnel?

A hushed scream echoes from within the tunnel.  

Sparks flicker in the distance.  
Ignite the blackened chamber and fade.  

		    GRELL
          Yeah.  Believe he did.

Pulling fruit from his jacket.

		   GRELL
	  Mango?


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